Guinea Coast art (and statue genitalia) at the Museum of Anthropology

I went to MoA just for fun when I was in Vancouver this weekend and not for a specific research purpose, but, as I should have expected, they had some really beautiful objects from my area of research! (INT, MUSEUM OF ANTHROPOLOGY, DAY: Meg stands in front of the ibeji statues, looking sidelong at other visitors and wondering how much they would mind if she suddenly interrupted their conversations to infodump about the statues’ missing penises.) Now that their online collections are back up, I had to go digging a little further.

The statues were particularly interesting because many of the males are missing their dicks, not to mince words. In Abiodun’s Yoruba Art and Language, he says that the penis and breasts of ibeji statues (these are statues created in memory of twins if one or both die) are considered to be the parts that really show a person is a master carver, because they protrude from the body and require a pleasing shape. I have to remember I’m no art historian and one source isn’t a scholarship, but I did immediately wonder whether the carvers of these statues were just not willing to risk messing up the part that would make people judge them, like an early artist on devArt who always draws figures with their hands clasped behind their backs, or if some faint-of-heart art collector had just chopped them off at some point, because heaven forfend there be a penis in the home of a respectable white art collector. This is obviously the story that gets my grit up, and I’m even tempted to email the collections people to ask if they know about the history of these particular objects, but I also can’t assume too hard that this isn’t the way they originally were made! Regional and personal styles are definitely a thing. But still…I mean, take a look at these poor babies.

ibeji1
Courtesy of the MoA Online Collection.

These are male figures according to the MoA. Since I saw them I’ve been going crazy with Google Search trying to figure out if their whole groinal area was how the carver made it, normal wear (perhaps because ibeji statues are often handled lovingly over many years) or an act of vandalism of some kind. The more innocent theories are looking more and more plausible, but I also don’t know what might have happened to the other figures in major art collections which turn up in cursory searches! A resort to some scholarship specifically about ibeji statues is probably going to be necessary. Add it to the pile.

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